{"id":93,"date":"2025-05-02T20:26:39","date_gmt":"2025-05-02T17:26:39","guid":{"rendered":"https:\/\/uniteankara.com\/2025\/05\/02\/ocukluk-yoruldu-ya-sonra\/"},"modified":"2026-08-02T17:53:25","modified_gmt":"2026-08-02T14:53:25","slug":"ocukluk-yoruldu-ya-sonra","status":"publish","type":"post","link":"https:\/\/uniteankara.com\/en\/ocukluk-yoruldu-ya-sonra\/","title":{"rendered":"\u00c7ocukluk Yoruldu! Ya sonra?"},"content":{"rendered":"
\n

Leyla Ersen K\u0131l\u0131n\u00e7kaya<\/p>\n

Yasir Yurto\u011flu\u2019nun \u201cKendi Kendime Kalam\u0131yorum\u201d ba\u015fl\u0131kl\u0131 sergisi, sanat\u00e7\u0131n\u0131n \u00e7ocuklu\u011fu ba\u015fta olmak \u00fczere ki\u015fisel tarihine kaz\u0131nm\u0131\u015f izleri yans\u0131tt\u0131\u011f\u0131 \u00e7al\u0131\u015fmalar \u00fczerinden bizi kendi \u00e7ocukluk travmalar\u0131m\u0131z\u0131 g\u00f6zden ge\u00e7irmeye davet ediyor. Sanat\u00e7\u0131n\u0131n kurgusall\u0131ktan uzak, samimi \u00e7al\u0131\u015fmalar\u0131 bir sa\u011falt\u0131m arac\u0131 olarak ortaya \u00e7\u0131k\u0131yor. <\/p>\n

Sanat\u00e7\u0131n\u0131n en \u00e7arp\u0131c\u0131 \u00e7al\u0131\u015fmalar\u0131ndan \u201cI am waiting for daddy to buy some jelly beans<\/em>\u201d (Babam\u0131n bana jelibon almas\u0131n\u0131 bekliyorum<\/em>) da, kuir kimli\u011fi dolay\u0131s\u0131yla babas\u0131 ile olan ili\u015fkisinde ya\u015fad\u0131\u011f\u0131 \u00f6tekile\u015ftirilme ve psikolojik \u015fiddete maruz kalma durumunu bir \u00e7ocukluk an\u0131s\u0131n\u0131 sembolize ederek d\u0131\u015fa vuruyor. Ah\u015fap plaka \u00fczerine re\u00e7ine bazl\u0131 i\u00e7 cephe akrilik duvar boyas\u0131, kur\u015fun kalem ve hamur kullanarak canland\u0131rd\u0131\u011f\u0131 ayak fig\u00fcr\u00fcnde \u00e7\u00fcr\u00fcmeye y\u00fcz tutmu\u015f olan uzuva dikkatleri \u00e7ekerken bir yandan hastanede bak\u0131m verdi\u011fi  babas\u0131n\u0131n ya\u015fad\u0131\u011f\u0131 fiziksel s\u00fcreci g\u00f6rselle\u015ftirirken bir yandan da bu kar\u015f\u0131l\u0131ks\u0131z sevgi ve \u015fefkat halini \u00e7ocuklu\u011funda ya\u015fad\u0131\u011f\u0131 hayal k\u0131r\u0131kl\u0131\u011f\u0131 duygusuyla peki\u015ftiriyor. Fakat ne yaz\u0131k ki, bu fiziksel \u00e7\u00fcr\u00fcme kendi can\u0131ndan olana bile y\u00f6neltilen ayr\u0131mc\u0131l\u0131\u011f\u0131n getirdi\u011fi \u00e7\u00fcr\u00fcmenin metaforu haline geliyor. <\/p>\n<\/div>\n

\"\"\/<\/p>\n

\n

Sanat\u00e7\u0131n\u0131n \u00e7ocukluk g\u00fcnlerinin ge\u00e7ti\u011fi \u00c7ubuk Baraj\u0131\u2019n\u0131 k\u00f6m\u00fcr ve karakalemle imgeledi\u011fi grotesk do\u011fa g\u00f6r\u00fcnt\u00fcleri, ya\u015fat\u0131ld\u0131\u011f\u0131 karanl\u0131k duygular\u0131 yans\u0131t\u0131yor. Ayr\u0131ca, sanat\u00e7\u0131n\u0131n ger\u00e7ekle\u015ftirdi\u011fi performansta kendine bir koza \u00f6rd\u00fc\u011f\u00fc, \u201csakland\u0131\u011f\u0131\u201d m\u00fc\u015ftemilat odas\u0131nda bedenine uygulad\u0131\u011f\u0131 beton, toprak gibi elementlerle \u00f6fkeyi kendine y\u00f6nlendiriyor gibi g\u00f6z\u00fckse de, bireysel bir ar\u0131nma ya\u015fad\u0131\u011f\u0131, kendi kimli\u011fini ac\u0131lardan ar\u0131ndarak yeniden in\u015fa etti\u011fi iddia edilebilir.<\/p>\n<\/div>\n

\"\"\/<\/p>\n

\n

Bu noktada, kuir estetik kavram\u0131ndan beslenerek bir \u00e7\u0131k\u0131\u015f yolu \u00f6nerelim! Judith Halberstam Kuir \u00c7uvallaman\u0131n Sanat\u0131\u2019nda dayat\u0131lan heteroseks\u00fcelli\u011fin kapitalizmde ba\u015far\u0131 ve yerine getirmeye dair bir mant\u0131kla ilinti kurularak y\u00fcceltildi\u011fini, e\u015fcinselin ise uygun a\u015fk\u0131 ya\u015famaktan aciz ve toplumsall\u0131k, ili\u015fkisellik, aile, seks, arzu ve t\u00fcketim aras\u0131ndaki m\u00fcnasip ba\u011flar\u0131 kuramayan biri olarak belirledi\u011fini vurgular.  \u201cBa\u015far\u0131s\u0131zl\u0131\u011fa, ilerlemenin yoklu\u011funa ve karanl\u0131\u011f\u0131n belli bir bi\u00e7imine teslim olan bu muayyen etos bir negatiflik, queer estetik olarak adland\u0131r\u0131labilir.\u201d Resimler arac\u0131l\u0131\u011f\u0131yla ortaya \u00e7\u0131kan bu s\u00f6zde negatifli\u011fi ve katarsisi hem bireysel hem de kolektif anlamda bir iyile\u015fmeye d\u00f6n\u00fc\u015ft\u00fcrebiliriz! Yurto\u011flu\u2019nun d\u0131\u015favurumlar\u0131, hem bu karanl\u0131k esteti\u011fin gerekllili\u011fini bize hat\u0131rlat\u0131rken hem de kolektif olarak ki\u015fisel katarsislerin ve yeniden in\u015falar\u0131n yarat\u0131c\u0131 ve iyile\u015ftirici s\u00fcre\u00e7lere d\u00f6n\u00fc\u015fmesine yard\u0131mc\u0131 olabilir! Haydi ba\u015flayal\u0131m!<\/p>\n

\n<\/div>","protected":false},"excerpt":{"rendered":"

Yasir Yurto\u011flu\u2019nun \u201cKendi Kendime Kalam\u0131yorum\u201d ba\u015fl\u0131kl\u0131 sergisi sanat\u00e7\u0131n\u0131n \u00e7ocuklu\u011fu ba\u015fta olmak \u00fczere ki\u015fisel tarihine kaz\u0131nm\u0131\u015f izleri yans\u0131tt\u0131\u011f\u0131 \u00e7al\u0131\u015fmalar \u00fczerinden bizi kendi \u00e7ocukluk travmalar\u0131m\u0131z\u0131 g\u00f6zden ge\u00e7irmeye davet ediyor. Sanat\u00e7\u0131n\u0131n kurgusall\u0131ktan uzak, samimi \u00e7al\u0131\u015fmalar\u0131 bir sa\u011falt\u0131m arac\u0131 olarak ortaya \u00e7\u0131k\u0131yor.<\/p>\n

Sanat\u00e7\u0131n\u0131n en \u00e7arp\u0131c\u0131 \u00e7al\u0131\u015fmalar\u0131ndan \u201cI am waiting for daddy to bu some jelly beans\u201d (Babam\u0131n bana jelibon almas\u0131n\u0131 bekliyorum) da, kuir kimli\u011fi dolay\u0131s\u0131yla babas\u0131 ile olan ili\u015fkisinde ya\u015fad\u0131\u011f\u0131 \u00f6tekile\u015ftirilme ve psikolojik \u015fiddete maruz kalma durumunu bir \u00e7ocukluk an\u0131s\u0131n\u0131 sembolize ederek d\u0131\u015fa vuruyor. Ah\u015fap plaka \u00fczerine re\u00e7ine bazl\u0131 i\u00e7 cephe akrilik duvar boyas\u0131, kur\u015fun kalem ve hamur kullanarak canland\u0131rd\u0131\u011f\u0131 ayak fig\u00fcr\u00fcnde \u00e7\u00fcr\u00fcmeye y\u00fcz tutmu\u015f olan uzuva dikkatleri \u00e7ekerken bir yandan hastanede bak\u0131m verdi\u011fi  babas\u0131n\u0131n ya\u015fad\u0131\u011f\u0131 fiziksel s\u00fcreci g\u00f6rselle\u015ftirirken bir yandan da bu kar\u015f\u0131l\u0131ks\u0131z sevgi ve \u015fefkat halini \u00e7ocuklu\u011funda ya\u015fad\u0131\u011f\u0131 hayal k\u0131r\u0131kl\u0131\u011f\u0131 duygusuyla peki\u015ftiriyor. Fakat ne yaz\u0131k ki, bu fiziksel \u00e7\u00fcr\u00fcme kendi can\u0131ndan olana bile y\u00f6neltilen ayr\u0131mc\u0131l\u0131\u011f\u0131n getirdi\u011fi \u00e7\u00fcr\u00fcmenin metaforu haline geliyor.<\/p>\n

Sanat\u00e7\u0131n\u0131n \u00e7ocukluk g\u00fcnlerinin ge\u00e7ti\u011fi \u00c7ubuk Baraj\u0131\u2019n\u0131 k\u00f6m\u00fcr ve karakalemle imgeledi\u011fi grotesk do\u011fa g\u00f6r\u00fcnt\u00fcleri, ya\u015fat\u0131ld\u0131\u011f\u0131 karanl\u0131k duygular\u0131 yans\u0131t\u0131yor. Ayr\u0131ca, sanat\u00e7\u0131n\u0131n ger\u00e7ekle\u015ftirdi\u011fi performansta kendine bir koza \u00f6rd\u00fc\u011f\u00fc, \u201csakland\u0131\u011f\u0131\u201d m\u00fc\u015ftemilat odas\u0131nda bedenine uygulad\u0131\u011f\u0131 beton, toprak gibi elementlerle \u00f6fkeyi kendine y\u00f6nlendiriyor gibi g\u00f6z\u00fckse de, bireysel bir ar\u0131nma ya\u015fad\u0131\u011f\u0131, kendi kimli\u011fini ac\u0131lardan ar\u0131ndarak yeniden in\u015fa etti\u011fi iddia edilebilir.<\/p>\n

Bu noktada, kuir estetik kavram\u0131ndan beslenerek bir \u00e7\u0131k\u0131\u015f yolu \u00f6nerelim! Judith Halberstam Kuir \u00c7uvallaman\u0131n Sanat\u0131\u2019nda dayat\u0131lan heteroseks\u00fcelli\u011fin kapitalizmde ba\u015far\u0131 ve yerine getirmeye dair bir mant\u0131kla ilinti kurularak y\u00fcceltildi\u011fini, e\u015fcinselin ise uygun a\u015fk\u0131 ya\u015famaktan aciz ve toplumsall\u0131k, ili\u015fkisellik, aile, seks, arzu ve t\u00fcketim aras\u0131ndaki m\u00fcnasip ba\u011flar\u0131 kuramayan biri olarak belirledi\u011fini vurgular.  \u201cBa\u015far\u0131s\u0131zl\u0131\u011fa, ilerlemenin yoklu\u011funa ve karanl\u0131\u011f\u0131n belli bir bi\u00e7imine teslim olan bu muayyen etos bir negatiflik, queer estetik olarak adland\u0131r\u0131labilir.\u201d Resimler arac\u0131l\u0131\u011f\u0131yla ortaya \u00e7\u0131kan bu s\u00f6zde negatifli\u011fi ve katarsisi hem bireysel hem de kolektif anlamda bir iyile\u015fmeye d\u00f6n\u00fc\u015ft\u00fcrebiliriz! Yurto\u011flu\u2019nun d\u0131\u015favurumlar\u0131, hem bu karanl\u0131k esteti\u011fin gerekllili\u011fini bize hat\u0131rlat\u0131rken hem de kolektif olarak ki\u015fisel katarsislerin ve yeniden in\u015falar\u0131n yarat\u0131c\u0131 ve iyile\u015ftirici s\u00fcre\u00e7lere d\u00f6n\u00fc\u015fmesine yard\u0131mc\u0131 olabilir! Haydi ba\u015flayal\u0131m!<\/p>","protected":false},"author":283014127,"featured_media":460,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"Yasir Yurto\u011flu\u2019nun \u201cKendi Kendime Kalam\u0131yorum\u201d ba\u015fl\u0131kl\u0131 sergisi sanat\u00e7\u0131n\u0131n \u00e7ocuklu\u011fu ba\u015fta olmak \u00fczere ki\u015fisel tarihine kaz\u0131nm\u0131\u015f izleri yans\u0131tt\u0131\u011f\u0131\u2026","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_wpcom_ai_launchpad_first_post":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"{title}\n\n{excerpt}\n\n{url}","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false,"jetpack_post_was_ever_published":false},"categories":[1381],"tags":[1371,1370],"class_list":["post-93","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kuram-deneme","tag-exhibition","tag-sergi"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/phlqwB-1v","jetpack_featured_media_url":"https:\/\/i0.wp.com\/uniteankara.com\/wp-content\/uploads\/2026\/07\/WhatsAppImage2025-05-02at23.28.411.webp?fit=1600%2C1200&ssl=1","_links":{"self":[{"href":"https:\/\/uniteankara.com\/en\/wp-json\/wp\/v2\/posts\/93","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/uniteankara.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/uniteankara.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/uniteankara.com\/en\/wp-json\/wp\/v2\/users\/283014127"}],"replies":[{"embeddable":true,"href":"https:\/\/uniteankara.com\/en\/wp-json\/wp\/v2\/comments?post=93"}],"version-history":[{"count":3,"href":"https:\/\/uniteankara.com\/en\/wp-json\/wp\/v2\/posts\/93\/revisions"}],"predecessor-version":[{"id":1674,"href":"https:\/\/uniteankara.com\/en\/wp-json\/wp\/v2\/posts\/93\/revisions\/1674"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/uniteankara.com\/en\/wp-json\/wp\/v2\/media\/460"}],"wp:attachment":[{"href":"https:\/\/uniteankara.com\/en\/wp-json\/wp\/v2\/media?parent=93"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/uniteankara.com\/en\/wp-json\/wp\/v2\/categories?post=93"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/uniteankara.com\/en\/wp-json\/wp\/v2\/tags?post=93"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}