{"id":75,"date":"2026-01-16T22:59:35","date_gmt":"2026-01-16T19:59:35","guid":{"rendered":"https:\/\/uniteankara.com\/2026\/01\/16\/boluk-lerliyor\/"},"modified":"2026-08-02T17:53:20","modified_gmt":"2026-08-02T14:53:20","slug":"boluk-lerliyor","status":"publish","type":"post","link":"https:\/\/uniteankara.com\/en\/boluk-lerliyor\/","title":{"rendered":"The Void Advances"},"content":{"rendered":"
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Yaz\u0131<\/strong>: Asl\u0131 Alpar<\/p>\n<\/div>\n

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UNITE Ortak Mek\u00e2n, 2026<\/figcaption><\/figure>\n
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Leyla ERSEN KILIN\u00c7KAYA\u2019n\u0131n mek\u00e2nsal yerle\u015ftirme ve kat\u0131l\u0131mc\u0131 performans alan\u0131 olarak tasarlad\u0131\u011f\u0131 sergi, g\u00fcn\u00fcm\u00fcz d\u00fcnyas\u0131n\u0131n giderek distopik bir bi\u00e7im almas\u0131yla bireyin ya\u015fad\u0131\u011f\u0131 kayg\u0131, bask\u0131 ve umutsuzlu\u011fun yaratt\u0131\u011f\u0131 zihinsel yorgunluk, yabanc\u0131la\u015fma hissine odaklan\u0131r. Bu temay\u0131, T\u00fcrk Edebiyat\u0131\u2019nda en derinlikli i\u015fleyen metinlerden biri olan O\u011fuz ATAY\u2019\u0131n Korkuyu Beklerken<\/em> \u00f6yk\u00fcs\u00fcne at\u0131fta bulunarak sergi mek\u00e2n\u0131n\u0131 zihnin kendini kapatt\u0131\u011f\u0131 bir daire\/oda olarak tasarlam\u0131\u015ft\u0131r. UNITE\u2019\u0131n bir zamanlar banka kasas\u0131 olan sergileme alan\u0131, izleyiciye fiziksel olarak da kapal\u0131 kalma olas\u0131l\u0131\u011f\u0131n\u0131 hissettirirken korunma ihtiyac\u0131 ve saklanmak, haf\u0131za, overthinking, otosans\u00fcr ve \u00f6zy\u0131k\u0131m gibi kavramlar \u00fczerinde d\u00fc\u015f\u00fcnmeye iten bir deneyim alan\u0131 sunar.<\/p>\n

Zihin odas\u0131 olarak tan\u0131mlayabilece\u011fimiz mek\u00e2n, basit bir ya\u015fam alan\u0131nda olabilecek en temel e\u015fyalar ve sanat\u00e7\u0131n\u0131n i\u015flerinden olu\u015fan bir sahne gibi kurgulanm\u0131\u015ft\u0131r. \u00dcretimi zamana yay\u0131lm\u0131\u015f olan bu i\u015fler, sanat\u00e7\u0131n\u0131n \u00e7e\u015fitli tekniklerle uygulad\u0131\u011f\u0131 ill\u00fcstrasyon ve kendi \u015fiirlerinden al\u0131nm\u0131\u015f metinlerle yorumlad\u0131\u011f\u0131 buluntu nesnelerden olu\u015fur. Ger\u00e7ek i\u015flevini bilmedi\u011fimiz ancak tan\u0131d\u0131k gelen bu nesneler; ki\u015fisel deneyim ve toplumsal bask\u0131n\u0131n kar\u0131\u015f\u0131m\u0131yla bi\u00e7imlenen bireyin tutum ve hat\u0131ralar\u0131n\u0131n metaforudur. Bireyin ya\u015fam\u0131nda toplumsal ve bireysel alan\u0131n mu\u011flak dengesi \u00fczerine odaklan\u0131r.<\/p>\n<\/div>\n

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UNITE Ortak Mek\u00e2n, 2026<\/figcaption><\/figure>\n
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Bir diktat\u00f6r portresi olarak odada geleneksel bir konuma yerle\u015ftirilmi\u015f \u201cE\u015fek Diktat\u00f6r\u201d, yaln\u0131z bulundu\u011fumuz co\u011frafya de\u011fil t\u00fcm d\u00fcnyada artan otoriterli\u011fin bireye olan etkisini yal\u0131n bir bi\u00e7imde temsil eder. Masan\u0131n hemen arkas\u0131nda durmas\u0131n\u0131 bekledi\u011fimiz sandalye yerine masa \u00fcst\u00fcnde sunulan pleksiglas yerle\u015ftirme \u201cTav\u015fan Kalpli\u201d, bireyin d\u0131\u015f d\u00fcnyadaki konum, ba\u015far\u0131 kayg\u0131lar\u0131n\u0131n yan\u0131 s\u0131ra toplumdaki \u2018koltuk\u2019 ihtiras\u0131n\u0131 ele\u015ftirir. Benzer \u015fekilde \u201c\u0130nek Ba\u015fkan\u201d ki\u015fisel bir hicivle toplumsal olan aras\u0131ndaki ili\u015fkiyi sorgular.<\/p>\n

Sanat\u00e7\u0131n\u0131n iki \u015fiiri, sergiye ad\u0131n\u0131 veren \u201cBo\u015fluk ilerliyor\u201d ve \u201cTav\u015fan Kalpli\u201d; zihin odas\u0131nda yank\u0131lanan bir i\u00e7 ses olarak kar\u015f\u0131m\u0131za \u00e7\u0131kar. Bu \u015fiirler, g\u00fcn\u00fcm\u00fczdeki annelik\/ebeveynlik deneyimi, bu deneyimle beraber ki\u015finin \u00e7ocuklu\u011fu ve toplumsal beklentilerle hesapla\u015fmas\u0131, bak\u0131m verenlerin ya\u015fad\u0131\u011f\u0131 yaln\u0131zl\u0131k ve toplumsal de\u011fersizlik, de\u011fi\u015fen zaman alg\u0131s\u0131 gibi duygu ve durumlara odaklan\u0131r. \u015eiirlerden par\u00e7alar, buluntu nesnelerin i\u00e7ine s\u0131zm\u0131\u015f dizeler ve kelimeler olarak kimi zaman kuma\u015flar \u00fczerinde, kimi zaman 3D kalemle nesnele\u015ftirilmi\u015f olarak sunulur. Okunmak i\u00e7in izleyicinin aktif kat\u0131l\u0131m\u0131n\u0131 gerektirir. Mek\u00e2na e\u015flik eden ses yerle\u015ftirmesi bu \u015fiirin mors alfabesine \u00e7evrilmi\u015f halidir. Ses, kaybolmu\u015f, kesintiye u\u011fram\u0131\u015f ya da kodlanm\u0131\u015f anlamlar\u0131 \u00e7a\u011fr\u0131\u015ft\u0131r\u0131rken duyular\u0131n ve anlamlar\u0131n par\u00e7al\u0131 iletimi, ileti\u015fimsizlik ve i\u00e7e kapanma duygusunu peki\u015ftirir.<\/p>\n<\/div>\n

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UNITE Ortak Mek\u00e2n, 2026<\/figcaption><\/figure>\n
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Sergideki maskeler d\u0131\u015f d\u00fcnyan\u0131n etkisiyle de\u011fi\u015febilen bireyin kendi benlik alg\u0131s\u0131na ili\u015fkindir. D\u0131\u015far\u0131ya yans\u0131tt\u0131\u011f\u0131m\u0131z maskeler de\u011fil de korkular\u0131m\u0131z, h\u0131rslar\u0131m\u0131z, ele\u015ftirilerimizin etkisinde kendimize bakt\u0131\u011f\u0131m\u0131zda g\u00f6rd\u00fc\u011f\u00fcm\u00fcz kusurluluk hali, yetersizlik duygusu vb. duygu durumlar\u0131n\u0131n tasviridir. Sanat\u00e7\u0131; ortada yer alan koltuk ve deneyimlenmesi, incelenmesi i\u00e7in yerle\u015ftirdi\u011fi maskelerle, izleyiciyi sergi merkezinde konumlayarak bu ortakl\u0131\u011fa i\u015faret eder. Yaln\u0131zca a\u00e7\u0131l\u0131\u015fta ger\u00e7ekle\u015ftirece\u011fi performansla izleyicinin maskelerle foto\u011fraflar\u0131n\u0131 \u00e7ekerek kurgulad\u0131\u011f\u0131 odan\u0131n giri\u015f kap\u0131s\u0131na asar. Performans, zihin odas\u0131n\u0131n herhangi birinin olabilece\u011fine vurgu yapar. <\/p>\n<\/div>\n

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Par\u00e7alanm\u0131\u015f benlik, Tuval \u00fczeri akrilik, m\u00fcrekkep, 2025<\/figcaption><\/figure>\n
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Hayat\u0131ndaki olumsuz deneyimler ve korkular\u0131 nedeniyle bireyler zihinlerinde kendilerine s\u0131n\u0131r \u00e7izebilir. Ancak g\u00fcn\u00fcm\u00fczde, bireyin varolu\u015fsal sanc\u0131lar\u0131n\u0131n \u00fcst\u00fcne binen otoriter rejimler, artan ekonomik ve toplumsal bask\u0131lar ile ya\u015famak giderek daha korkutucu bir deneyime d\u00f6n\u00fc\u015fmektedir. \u2018Korkuyu beklemek\u2019 adeta bir ya\u015fam stili olarak dayat\u0131l\u0131r. Leyla ERSEN KILIN\u00c7KAYA, O\u011fuz ATAY\u2019\u0131n Kafkaesk \u00f6yk\u00fcs\u00fcne at\u0131fta bulunarak yaratt\u0131\u011f\u0131 katmanl\u0131 atmosferle korkunun ele ge\u00e7irdi\u011fi karanl\u0131k zihne yak\u0131ndan bakmam\u0131z\u0131 sa\u011flar. \u0130\u00e7 seslerimizin bazen mors alfabesiyle \u00e7al\u0131\u015fan yard\u0131m \u00e7a\u011fr\u0131s\u0131 oldu\u011funu fark etmemizi umar. \u00d6zelimizde gizledi\u011fimiz korku ve kayg\u0131n\u0131n ortakl\u0131\u011f\u0131na vurgu yaparak, \u015fiirleri kanal\u0131yla kendi karamsar deneyimini payla\u015farak yaln\u0131zl\u0131k duvarlar\u0131n\u0131 \u015feffafla\u015ft\u0131r\u0131r. Bireylerin \u00fczerine \u00e7\u00f6reklenen bu buhranl\u0131 hali; hayatlar\u0131m\u0131z\u0131 ve zihinlerimizi bir panik odas\u0131na d\u00f6n\u00fc\u015ft\u00fcrmeden \u00f6nce terk edebilmemiz i\u00e7in bir kap\u0131 aralar.<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Yaz\u0131: Asl\u0131 Alpar Leyla ERSEN KILIN\u00c7KAYA\u2019n\u0131n mek\u00e2nsal yerle\u015ftirme ve kat\u0131l\u0131mc\u0131 performans alan\u0131 olarak tasarlad\u0131\u011f\u0131 sergi, g\u00fcn\u00fcm\u00fcz d\u00fcnyas\u0131n\u0131n giderek distopik bir bi\u00e7im almas\u0131yla bireyin ya\u015fad\u0131\u011f\u0131 kayg\u0131, bask\u0131 ve umutsuzlu\u011fun yaratt\u0131\u011f\u0131 zihinsel yorgunluk, yabanc\u0131la\u015fma hissine odaklan\u0131r. Bu temay\u0131, T\u00fcrk Edebiyat\u0131\u2019nda en derinlikli i\u015fleyen metinlerden biri olan O\u011fuz ATAY\u2019\u0131n Korkuyu Beklerken \u00f6yk\u00fcs\u00fcne at\u0131fta bulunarak sergi mek\u00e2n\u0131n\u0131 zihnin kendini […]<\/p>\n","protected":false},"author":283014124,"featured_media":179,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"Yaz\u0131: Asl\u0131 Alpar Leyla ERSEN KILIN\u00c7KAYA\u2019n\u0131n mek\u00e2nsal yerle\u015ftirme ve kat\u0131l\u0131mc\u0131 performans alan\u0131 olarak tasarlad\u0131\u011f\u0131 sergi, g\u00fcn\u00fcm\u00fcz d\u00fcnyas\u0131n\u0131n giderek\u2026","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_wpcom_ai_launchpad_first_post":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"{title}\n\n{excerpt}\n\n{url}","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false,"jetpack_post_was_ever_published":false},"categories":[1376],"tags":[1366],"class_list":["post-75","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gorsel-sanatlar","tag-asli-alpar"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/phlqwB-1d","jetpack_featured_media_url":"https:\/\/i0.wp.com\/uniteankara.com\/wp-content\/uploads\/2026\/07\/01.webp?fit=2500%2C1667&ssl=1","_links":{"self":[{"href":"https:\/\/uniteankara.com\/en\/wp-json\/wp\/v2\/posts\/75","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/uniteankara.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/uniteankara.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/uniteankara.com\/en\/wp-json\/wp\/v2\/users\/283014124"}],"replies":[{"embeddable":true,"href":"https:\/\/uniteankara.com\/en\/wp-json\/wp\/v2\/comments?post=75"}],"version-history":[{"count":4,"href":"https:\/\/uniteankara.com\/en\/wp-json\/wp\/v2\/posts\/75\/revisions"}],"predecessor-version":[{"id":1664,"href":"https:\/\/uniteankara.com\/en\/wp-json\/wp\/v2\/posts\/75\/revisions\/1664"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/uniteankara.com\/en\/wp-json\/wp\/v2\/media\/179"}],"wp:attachment":[{"href":"https:\/\/uniteankara.com\/en\/wp-json\/wp\/v2\/media?parent=75"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/uniteankara.com\/en\/wp-json\/wp\/v2\/categories?post=75"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/uniteankara.com\/en\/wp-json\/wp\/v2\/tags?post=75"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}